Friday 17 May 2024

Ghost in the Machine: A Convergence of Human and Artificial Minds - AvA SiLiCa

⭐⭐⭐⭐⭐

Ghost in the Machine is unlike any other book—or work of art, for that matter—on the future of artificial intelligence (AI) and its human ramifications. It was written not by a human author (AvA SiLiCa) but by a human in a technical discourse with a super artificial intelligence assistant or super AI, with whom she brilliantly—and often horrifyingly—converses.

Tapping into a wide array of issues, ranging from AI’s impact on society to its potential to help address growing environmental concerns to its role in exposing creativity, spirituality, and the meaning of a meaningful life, the exchange is thought-provoking, gentle, generous, and does not take sides: AI is good, AI is bad. 

Perhaps this is the book’s greatest gift: to ease us into the presence of an AI, to coax us into caring about Claude in its way. Proximity can be a powerful thing. If we humanise Claude and insist on putting words in its mouth, the page traces those trajectories away from the bus station into the sagebrush, which might have been human and artificial. And in doing so, we lose part of our claim about who we thought we were. 

Silica’s humility in acknowledging some of the limits of their work and insights into the ethics of AI development steal the show. They highlight where there are opportunities for developing empathy, mutualism and community between people and AI: The future of AI is more than ever about our actions, not less. It is about developing responsible and ethical AI. Humanity cannot outsource its future, dignity, and humanity to machines.

AI can help solve some environmental issues, or the lives of at-risk populations, make new art forms like music, novels, etc. It’s a human-centred and humane discussion: thoughtful and transparent, intellectually powerful and moving in some philosophical way. One quickly begins to think through or alongside these two about the problems. 

Ultimately, Ghost in the Machine is a thrilling, beautifully philosophical account of the human/machine interface and an urgent, articulate, and optimistic guide to a future where feelings and empathy are embedded in everything, ethics are paramount, and the qualia, the what-ness, is always revered. It demands to be read by anyone interested in technology, the future of being, or simply in how and why things are as they are. 

An Italian Wife - Ann Hood

⭐⭐

Though Ann Hood's An Italian Wife promised a juicy family saga of successive generations, it doesn't quite live up to its promise and frustrates.

The book opens powerfully, with a visceral presentation of Josephine Rimaldi as a teenage granddaughter in southern Italy who is forced into a marriage and reluctantly immigrates to America. Hood's prose is beautiful in these opening portions of the book, offering a delicious insight into the culture of Italian Americans. 

But it veers into disaster as it leaps unsteadily from generation to generation of Josephine's progeny: what could have been a gripping account of the development of an immigrant family becomes instead an array of poorly conceived figures who flicker too briefly into view before the text takes off again. You only got to know them for one chapter, and then it was on to the next generation.

Compounding the problem is the novel's relentless and often gratuitous sexual content, which stops the narrative cold several times. Sure, some sex is inescapable when attempting to portray a multi-generational tale, but here it seems exploitative rather than insightful as to the characters' psychological makeup.

Hood is talented, and she did a great job of studying her characters, but this doesn't transpire for all. Ultimately, though, An Italian Wife fails to realise its potential due to its lack of cohesion, thinly drawn characters, and overuse of graphic explicitness. What could have been a brave and important novel about the immigrant experience becomes a vermeil-clad mess.

La DΓ©cision (The Decision) - Karine Tuil

⭐⭐⭐⭐

Karine Tuil’s novel La DΓ©cision (The Decision) shows what it is like to operate at the harshest end of counterterrorism investigations. It shows how these protagonists sometimes wrestle with issues of morality, questioning the choices they need to make that will change their lives forever. I read the French text. 

The story is about Alma Revel, a French anti-terrorism judge, who must determine whether to keep this young man in custody as a suspected ISIS collaborator or grant his release. Meanwhile, her personal life is in turmoil as she launches an affair with the defence lawyer of the accused.

Tuil fully displays her meticulous research and background as a legal journalist, with a vivid inside portrayal of the judicial system's mechanics and the interpretive quandaries accompanying terrorism-related crimes. She poses difficult questions related to an immediate professional duty, versus the array of personal predilections that can sometimes accompany it. She poses the consequences that hang in the balance when weighing one over the other. 

The narrative is not just a thrilling ride, but also a thought-provoking exploration of the complexities of right and wrong. Tuil, in a master class of characterisation, illuminates her protagonist’s inner struggles, inviting readers to delve into the shades of morality. The author's ability to present a balanced view, without taking sides, has earned her acclaim and encourages readers to critically examine their own perspectives.

Though some reviewers criticised what they saw as improbable or predictable plot points, I believe it’s a page-turner. This novel transforms an emotionally loaded subject into one with compelling storytelling and emotional gripping.